the finnish tropical troupe maajo is back with a two-track ep. in contrast to the afro-balearic sound of their 2016 debut tropic of tulli, the new defo / mansaba ep is a step in a deeper and sometimes darker direction. defo kicks off the ep with a driving 5/4 rhythm. reminiscent of mark ernestus’ ndagga sounds, it is a tribal tune with maajo’s signature ethereal disco elements. trevor deep jr.’s version straightens out the original’s unconventional time signature and focuses on a four-to-four beat and plenty of berliner dub. the remix is a solid dancefloor tool, traversing the original like a train making its way through a dark rainforest. the b-side is entirely covered by mansaba, a 14-minute long journey into inwards. this studio jam, recorded largely live, is a wild mixture of polyrhythmic sequences, krautrock guitar licks, equatorial forest percussion and violin synths. the trip starts slow and soothing, sneakily picks up pace and keeps grow and growing, eventually exploding into a full-on tribal dance.

nyra continues to shine on his own canoe label, making the most of the creative freedom to show every side of his musicality. -take my hand- deserves to be huge, displaying a devilish instinct for a simple disco loop, a powerful vocal and a whiff of fist shaking new york house pressure that will leave its mark long after the club kicks out. -life is trippy- switches stance entirely with a snappy boogie-indebted jam for lighter moments. -on & on- meanwhile summons a rowdy detroit techno backbone that, paired with the bold disco licks, calls to mind the kind of fare dj bone can so expertly drop. -falling for love- maintains the fusion of rough and smooth with equally brilliant, party-starting results.

4 x experimental minimal / techno

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

in recent times alex pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. he joins us as pletnev for aztec code / daywalker, a 12inch combining his abundant influences to take us to bizarre, far-off places.

cute swedish pop from 1984. a gothenburg secret. passed from music for dreams kenneth bager to cantomas phil mison to rogue cat sounds dean and ben. pop that rocks a cool, faux-reggae lilt with bluesman licks and harmonica hooks. cute like other sought after rogue cat favourites. terry crawford s gunfighter. or romie singh sdancing to forget. martin caine s snowbird city. its lyrics asupercalifragilisticexpialidocious-like nursery rhyme front, framing bad girl playground reminiscences.

tinfoil is the project of defekt and sunil sharpe. initially forged as a studio collaboration in 2014 (and later as a live show), the pair have since racked up an impressive catalogue of 12&#8243,,,s on their own self-titled label. tinfoil’s sound is unique in today’s scene, reflecting the versatility of both artists, plus a combined know-how of techno and electro. their music comes primarily from live studio jams, enforced by a desire to get quickly to the point in what they do. this is no surprise given the fast, technical way in which they each perform solo. for their debut album, tinfoil provide a varied but cohesive collection of tracks. following the intro’s epic synth blasts, they open with a bang through “caravan life” – a sinister, bassline-driven destroyer that builds and builds over a blend of claps, filter zaps and crying feedback. “beads” continues in a heads-down vein, this time with a more musical ebm type bass and knocking rimshots that mark the first appearance of sunil’s role-playing, haunting lead vocals

a dream come true, jochem peteri a.k.a. newworldaquarium a.k.a. 154 blesses our 12x12 series (already home to releases by kara-lis coverdale, beatrice dillon, raime, dj sprinkles & snd and v/vm) with his first new release in 14 years. his “strike” album under this alias remains unsurpassed in its field today, influencing everyone from actress to lee gamble and huerco s over the past decade and more, and it’s fair to say that this new lp beautifully lives up to that classic high water mark.

Žagar mark the end of a chapter and real milestone in their history by asking a selection of key artists to remix tracks from their vital back catalogue. the “anniversary remix edition” features numerous heavyweight mixes ready to take on the clubs. artists such as stil vor talent mainstay kellerkind, dan caster and the german tech house tital nico pusch rub shoulders with the legendary and influential plastic city house artist terry lee brown jr, uk disco crew clandestino and underground hero vakula from dekmantel to make this an essential remix album with real depth and variety. the limited edition double 12” is supported by telekom electronic beats.

after putting 1990s record label emote to bed and a 17 year break from making music mark churcher has now knocked out 2 rasping acid house discs within a year on his new chicago bee record label. the first very well received ep whos this guy? is followed up with the same a eno-acid moniker. this 4 track ep is deeper, darker and even more drugged out. the tracks are slower and longer allowing the listener to be sonically submerged in the reverb swelled acid lines.

following on from the odd pair of sox that was oddsox vol. 1, we have been busy curating our next journey and we have recruited some fine talent to guide us on this ride. we go across the globe, straddle the stratosphere before going on an interstellar adventure. leading the way is switzerlands m44k. gaining a proper reputation online for his sublime edits and lo-fi cuts (last years e-beamz with dj seinfield for example), we have caught m44k on a serious deep exploration with infectious bassline and dreamy pads. we couldnt think of a better way to lift off oddsox vol. 2 than marsone. parisian, larry houl, follows up with algerian flag on the moon. another elbow moving bassline that youll be humming nonstop, and some sumptuous, glorious pads. working closely with flabaire in secret value orchestra and a release on london imprint feelings ldn, larry is absolutely one to look out for! flipping over to the b, let your mind and soul wander with mesta. with a delightful release on blind jacks journey and his own label dropping serious heat from harrison bdp, aleksandir delivers a divine blend of dream house and rough, rugged, rumbling bass. bringing us back down to earth is a man from portland, who is on some serious form. coming to our attention with his release on 100% silk, akasha systems deep and dark astral jam ends the cosmic trip with a bang. support and love from: dabj, dom capello, eclair fifi, peach, trp, red rackem, mark archer, marco bernardi, grant, fabrice lig, derek carr, piff records and more.

after an inaugural, top-rated release by kouslin and his friends, the le chatroom familia remain on top of their release schedule with this successive record, featuring some familiar faces from the uk music scene. the team have compiled another hefty va, containing three bass-heavy tracks close to the 130bpm mark that definitely resonate at le chatroom’s signature frequency. with their first release having received support from a wide range of artists, from marcus nasty to huxley to bristol s livity sound gang, and with glowing write-ups in djmag, when we dip and cone mag, this second excursion is destined to be a highly successful follow-up.
dj support: lee gamble, peverelist, kowton, moxie, marcus nasty, jus now, simo cell, murder he wrote, lurka, silas and snare.

breach returns with his first solo release since 2015 and with it a return to his roots as breach.breach returns with his first solo release since 2015 and with it a return to his roots as breach. nkdltd001 brings two deep, dark, moody tracks to the table plus a fantastic mark e remix to boot.

special summer price! minimalist, swinging, fast paced dj tool techno exclusives from dvs1’s ‘fabric mix . mistress special release ep 2

judas priest could easily rest on their laurels at this stage of their highly successful and influential career. however, the legendary metal band - singer rob halford, guitarists glenn tipton and richie faulkner, bassist ian hill, and drummer scott travis - refuse to do so as evidenced by the arrival of their eighteenth studio album overall - “firepower”. the album is comprised of fourteen tracks of pure and highly inspired metal. and to mark the occasion priest has reunited with producer tom allom (the man behind the board for all of the band’s releases from 1979-1988, including such stellar classics as “unleashed in the east”, “british steel”, “screaming for vengeance” and “defenders of the faith”) and with grammy award-winning producer andy sneap also helping to raise the sonic bar even higher. the double vinyl release comes in a gatefold sleeve with download code included.

after the successful solaris vinyl on this tracks we keep the rhythm grooving with our fresh innovative views on the donna summer/giorgio moroder hit from the 70s. this remixes on the tom tom club version from 2000 give a splendid atmosphere on the visionary tunes that mark the beginning of the disco house area. some funky tech house mixes flourishing in its disco beats round up this record in a minimalistic electronic approach. our fabulous artists show once again their magnetic skills and vitalize the plutonic waves with its magnificent love rhymes of the hot original hitsong. we recover this pearl with a unique approach to bring back a special tune into our time. the release with its saturated colourful sounds zooms the meaning of love into present times and generates a new vision from the past.

after a quiet year, the obscure duo g&d has found the right way together for the new g&d 02. the new vinyl ep is a juice of disco, boogie and cosmic sounds. four killer tracks of different shades of genres. supported by red greg, sadar bahar, lee collins, ge-ology, volcov, twice, daniele baldelli, joe davis, mark grusanne, ltj xperience, the grasso brothers.

the 2nd vinyl only release by complatt with a special mark m which means marko. marko nastic joins the label complatt with his ultimate release showing his deepest connection to the world’s finest techno sound full of abstract and unpredictable behaviour. 3 absolutely getaway tracks come altogether making this ep a very strong one ever performed on complatt.

dj-kicks start 2018 in fine style with another vital entry into their long running series. the latest comes from swiss dj and producer deetron, and features an exclusive solo track as well as exclusive collaborations with steve spacek, jinadu and jamie lidell. as one of the other most famous musical exports from his swiss homeland, he has pretty much done it all from fabric and balance mix cds to running his own label, from essential albums like twisted and music over matter on music man records to club focussed 12”s on will saul’s aus music and french label circus company. after 20 years in the game, he is still in demand at key clubs around the world, and is sufficiently respected as to be able to call on big names like seth troxler, cooly g and ben westbeech for collaborations.

its the big 5! berlin, frankfurt based label house is ok is celebrating its five-year long presence and has decided to mark that period with something special labels story started with a sticker homeboy printed in his former hometown, zagreb, saying house is ok. catchy, right? it became an underground slogan of the local scene. it didnt take long for people to embrace the idea stating that its ok to be into melodic, fresh, groovy yet, at times, a bit awkward dance music.

usm are pleased to announce the release of “a real labour of love”, a brand new studio album of 16 tracks from ub40 featuring ali, astro & mickey.
for “a real labour of love” the band have again chosen a mix of well-known and less well-known reggae songs to cover in true ub40 style. tracks featured barrington levy’s “here i come”, ken boothe’s “moving away”, gregory isaac’s “hush darling”, culture’s “international herb” and beres hammond’s “she loves me”. cover art includes a bespoke painting by the respected american painter mark t smith. he has incorporated elements from the tracks to create art unique to the band.
the coloured double vinyl (1x orange, 1x purple) is housed in a gatefold sleeve with download code included.

sagmen second release is just exceptional

ep3: mov clsr is the third and final piece in a trilogy of releases, exploring the libraries of spaceks recent hard drives. encompassing house, footwork, techno, garage and broken beat the legendary vocalist and producer has amassed a wealth of tracks created mostly on iphone and ipad. south london to the core yet globally inspired, his off kilter swing and free flowing approach to music has always set him apart from the pack. from his work with j.dilla (eve/dollar) to his collaboration with mark pritchard as one half of africa hitech, steve spaceks creative output has always been a million miles ahead.

erst unplugged zeigt sich, was eine band wirklich auf dem kasten hat und ob ihre songs auch vor intimer kulisse bestehen können – dort wo jeder ton, jede melodie und auch jedes wort genau gehört wird.

formed of laura lee on bass, mark speer on guitar, and donald “dj” johnson on drums, khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. their 2015 debut album ‘the universe smiles upon you’ was heavily influenced by 60’s and 70’s thai cassettes the band listened to on their long car journeys to rehearsal in the texan countryside. ‘con todo el mundo’ takes inspiration not just from south east asia but similarly underdiscovered funk and soul of the mediterranean and the middle east, particularly iran.

ed herbst made his mark by delivering some quality tracks for the past years. now he’s stepping up the game with his very first solo ep entitled interplay

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.

attempt to find a convenient musical pigeon-hole for zapatilla and you ll find him slipping from your grasp and zig-zagging in unexpected yet compelling directions. his transcendent debut ep comprises two ambitious, shapeshifting tracks. initially, opener crumbling down suggests a dance-floor focused blueprint, before its arrangement of percussion and classical instruments come into focus around the 3 minute mark, the result is a steadfastly organic and emotional opus. its sister track thumb piano is a more abstract affair, with its eclectic instrumentation anchored to a palette of synths and electronica. via his world travels and collaborations with numerous artists, zapatilla has accrued a wealth of experience, influences and a stock pile of varied and unusual instruments. it s a varied cv and includes his role as bass player in the acclaimed owiny sigoma band and, along with tom skinner, composing the score for swedish film the real estate a nominee for best film at this year s berlin film festival. this hybrid of influences has resulted in a spine-tingling alchemy that on paper shouldn t work. but zapatilla s natural instinct for melody, innovative arrangements and musical ability, make this one of the most musically adept and intriguing artists set to emerge this year.

italys legendary dream team enrico mantini, flavio vecchi and nudge joins forces for the first time in bologna to deliver an exclusive deep house anthem which will surely mark many afterparties around the globe. nudge boys complete the job on the b side with two lovely moody yet proper house cuts!

dead man s chest aka alex eveson makes his debut appearance on myor massiv sublabel diamond life alongside head honcho coco bryce. dancehalls seem to be the common denominator on this 12”. and where mr eveson prefers to drop a tab of acid, coco opts for a helping of mandy to work his way through the night. both sides find the respective producers operating at the 160 bpm mark, wading through a hazy mist of sounds reminiscent of clandestine warehouse raves. but whereas dmc utilizes a fairly straightforward, 93 style hardcore drum loop in combination with acidic undertones and atmospherics which clearly reveal his love for the “golden era” of mo wax trip hop, señor bryce s jam is a far more hectic sounding affair, layering a chopped and re-edited apache on top of an already-frantic, percussion- laden break beat, adding even more to the rushy feeling induced by the nervous pads and rave stabs. quality, yet slightly off-kilter hardcore junglist exercises.

die limitierte b-box sammlerbox zum kultfilm “b-music - lust & sound in west-berlin 1979 - 1989” enthält den soundtrack sowohl auf doppel-vinyl im klappcover als auch auf doppel-cd, dazu den film als dvd und blu-ray, das buch zum film, 3 drucke in 12”, b-plakette, b-plektrum, b-rauscht beutel und b-soffen flaschenöffner.

vinyl only. four spacious and moodful explorations mark dixia sirong s return to inner balance, the daughter label of chez damier s legendary balance imprint. vinyl only. four spacious and moodful explorations mark dixia sirong s return to inner balance, the daughter label of chez damier s legendary balance imprint. further mining the atmospherics of their debut ep, both yohji and qatarsea combine organic rhythms and dubby pads to conjure a truly meditative state. sharper edges and effects on the third original, suspicions , lend it a more purposeful air, its expansive bass worthy of the grandest of stages. finally, dj honesty (responsible for the respected honeydrop releases on cabinet) delivers an ebullient, elastic take on yohji , drawing out the vocal samples of the original and directing the groove more squarely at the dancefloor.

its the big 5! berlin frankfurt based label house is ok is celebrating its five-year long presence and has decided to mark that period with something special labels story started with a sticker homeboy printed in his former hometown, zagreb, saying house is ok. catchy, right? it became an underground slogan of the local scene. it didnt take long for people to embrace the idea stating that its ok to be into melodic, fresh, groovy yet, at times, a bit awkward dance music. just around the same time homeboys frankfurt based bros oliver achatz and janis played with the idea of starting a record label. guess what the logical choice for the name was? ten records, dozens of original songs and remixes later house is ok continues to grow. literally. what was once a platform for the original three founders is now an international family affair supporting the talented artists from frankfurt, stockholm, alexandria and orlando. nurturing the friendly approach this musical family continues to grow. looking back at the first five years, not only at the music that connected them all but at the bonds that deepened through the production process, house is ok crew wanted to take create a proper reminder and thank the ones supporting them throughout the years. a double 12 pack titled gemišt seemed like a proper way to do that. „gemišt will be released as two separate eps featuring the original music from kornél kovacs, roman flügel, gavri & mcqueen, tcb, house of life and the label makers themselves. oliver and janis deliver tracks under their known names, while homeboy introduces his new project with fellow wilde renate resident the swift, called longhair. croatian artist ugruv smek marks his yearlong collaboration with the label delivering yet another smashing artwork.

punk 103 is a song from the album ring n roll, released in 2011, may the 2nd. this track was written and composed by catherine ringer, set to music by herself, mark kerr, and rza stone meccas musicians. the b-side of this vinyl is an exclusive acoustic live version recorded during a jean-paul gaultiers private show.

2020 repress .. the legendary dimitri from tokyo wields his blade on two disco classics and re-ignites them for the dance floor in his trade mark hi fidelity style. the results are to be expected 100% dance floor dynamite! enjoy the music!

the first 100 copies of this release come in transparent vinyl, the rest in black.
following 11 hotly tipped ep’s, format now delivers its first compilation release, packed to the brim with bomb cuts from both veterans as new faces. this first format compilation is a prime example of the label’s signature sound. featuring an impressive variety of musical perspectives, it’s a mint snapshot of format’s ever adventurous view on techno.

skyrager presents the first in a series of dance floor edits designed for optimum peak set destruction! beat girl/wonderful is already generating heat on worldwide dance-floors in the skilled hands of crack selectors including hunee, lovefingers, mark e and more.beat girl is our a-side, a heavy, throbbing ebm monster. like something discovered on a long lost belgian white label with it s sharp french femme-fatale monologue and nagging acid bass-line. trust us, this one sounds ultra-heavy on the system! things get a little sexual about halfway through and then those guitars kick in, yes, guitars, scuzzed out, fuzzed out chords run rampant over this beast and you re gonna love it. this is that sleaze, put your phone away, pick up the amyl and jack. wonderful is just that, a ridiculously rare south african (!) cover of italo overlords klein & mbo s cut of the same name. there shouldn t be much more to say here, but you should know that it s a stellar combo of hypnotic drum machine rhythms, mind melting synth bass-lines and super dreamy spoken word vocals. its almost as if she s speaking directly to you as you lose yourself in the smoke and lazers, let go, you know you want to.

dvs1, sterac and ryan elliott remixing jasper & maarten to mark the 20th indigo aera release. limited pressing! this 20th ep finds heavyweights dvs1, sterac and ryan elliot all remixing some released and unreleased originals by label owners japser wolff & maarten mittendorff. their last solo ep on the label, cosmic language, marked the 10th release on the label, right here they celebrate the 20th release with a fine techno affair that summed up their now six year old outlet perfectly with some of their favourite producers aboard.

ostgut ton’s berghain mix series returns with volume 08 by fiedel. available on 12” vinyl are four new exclusive tracks by electric indigo, stefan rein, rroxymore, boris & fiedel. few figures in berlin dance music can claim as lasting and multifaceted a presence as longtime berghain resident fiedel. a former resident at berghain forerunner ostgut, the veteran dj and producer is known by heads for his decades-long influence on left-field techno and bass music in the german capital, particularly as one half of celebrated production duo mmm with errorsmith, and co-operator of the legendary wax treatment parties together with mark ernestus of hard wax and basic channel fame.

after the success of his recent comeback ep entitled exiles ep, the icelandic artist cold shows us that he is here to stay and ready to make his mark in the international techno scene. dub safari offers us intricate soundscapes and otherwordly chords which are impeccably assembled into five minimal techno masterpieces. a side starts with a dreamy voyage where ethereal pads seamingly blend with punctuating kick and a acid bassline. second cut gives us a darker experience. a pulsating groove where chords and percussions offer an interesting sonic playfulness. b-side offers three minimalistic techno tracks ready for both the dancefloor as well as for dancefloor within your mind. thule records is considered by many to be a pioneers in the field of dub-influenced techno music and was a starting point for many of iceland s most renowned electronic musicians

hot creations is home to some of the industrys most valuable players. next year, darius syrossian will make a welcome return to the label with his heavy hitting two-parter, moxy, following on from 2013s whos the douche? ep. kicking off proceedings is moxy. six minutes of pure, raw, industrial bass littered with a smattering of high-hats and a break down that will leave you begging for more. the flip side serves up more peak-time goodness with hi, its me. a driving, throbbing bassline thumps over wobbling synths with a female vocal stating that she does not do vip clubs or bottle service bullshit! darius syrossian has made quite the mark on the industry. he began releasing music in 2009 and his proceeding career has seen him release a slew of dancefloor hits on labels such as viva music, 20/20 vision and get physical music, as well as collaborations with steve lawler, josh butler and sidney charles. hes also held down residencies at some of the world’s most influential clubs and has become an essential part of the ibizan summer seasons.

* 2017 year marks ten years of integral records and looking back upon the label’s incredible back catalogue, what a decade it has been for drum & bass music that we hold so close. * initially set up as a passion project and a platform for showcasing future talent, the label has been consistently releasing cutting edge drum and bass since 2007. the ethos of the label has always been about quality control and finding those special vibes that no question capture heart and soul. honing their unique musical language, selections are carefully handpicked by head honchos artificial intelligence and more recently in collaboration with label manager emma g that fit with the forward thinking, original spirit we know as integral. * now 40-odd releases deep and renowned for breaking some of the most exciting artists on the roster today, the label also boasts signature classics from some of the scenes most prolific residents. names include the likes of lenzman, lomax (one half of loadstar), alix perez, calibre, system, zero t, technicolour & komatic (technimatic), lsb, steo, dawn wall, mohican sun, phil tangent, satl and just recently, a.i. themselves. * celebrating the seminal journey thus far, a double album will mark this very special occasion. part one will showcase a selection of the finest from over the years in a chronological journey of the label’s sound (for digitial release.) a second curation will simultaneously launch across all formats of entirely new and most exclusive material to date, from residents a.i., lenzman, mohican sun, satl, phil:osophy, scar, zero t, drs and more.

mit »zwischen den runden« ist das letzte kettcar-album nun bereits fünf jahre her. drei jahre liegt auch »konfetti«, das solodebüt von sänger marcus wiebusch, zurück.
deshalb dürfen wir uns 2017 besonders über das neue album der hamburger indierocker freuen. »ich vs. wir« heißt die mittlerweile fünfte studioplatte von kettcar.
elf songs hat die band dafür geschrieben und aufgenommen. die produktion übernahm philipp steinke (bosse, revolverheld, mark forster).
limitierte special-lp mit gestanztem gatefold-cover und booklet im lp-format plus downloadcode.

with his 3rd album dear stranger, duesseldorf artist tg mauss appeared 2013 for the first time on berlins quality music label karaoke kalk. proving once more his skills in meshing up folk pop with electronic music, he left a big mark at hans nieswandt (whirlpool productions), who now throws the track ghosts into the club: a grooving funk bass played by levent canseven meets a rattling hi-hat and spacey soundeffects. mauss voice makes the disco ball and our dancing hearts pause for a moment, just to explode on the dance floor. thats what you call state-of-remix-art.

the 2nd vinyl only release by complatt with a special mark m which means marko. marko nastic joins the label complatt with his ultimate release showing his deepest connection to the world’s finest techno sound full of abstract and unpredictable behaviour. 3 absolutely getaway tracks come altogether making this ep a very strong one ever performed on complatt.

hailing from viennas thriving techno scene, meat recordings is setting out to leave its mark on the international techno circuit. with a legacy of running club nights for almost a decade as well as five critically acclaimed digital releases, this compilation represents the next step in the labels history. meat your maker 1 is a four tracker showcasing the diversity of this crew. it features tracks by the labels own artists matt mor, specific objects and gerald vdh as well as a contribution by newrhythmic label boss joton, which range from functional, sexy and trippy techno stompers to techno-compatible neurofunk.

nice price deal !!! dimitri veimar is the kind of musical discovery that, were i were a religious man, i would go to bed and pray for every night. modern day acid house that stays below the 120bpm mark but retains a certain punch whilst having an air of techno cool and swagger to it. - daniel avery talking to dummy